I was thrown into a community production of 'Bye Bye Birdie' or something when I was a kid. I wanted to just build the sets, but I wasn't allowed to just build the sets unless I auditioned for the play. So I auditioned for the play and was thrown into the chorus. During the course of that I fell in love with it, and I never really turned back.

[Pawn Sacrifice is] about the 1972 chess championship between Bobby Fischer and Boris Spassky. I play Paul Marshall.It was a great story of a very peculiar man, another genius who's troubled and lived an interesting life. I had great fun making that.

I've found in my own life, if you try to struggle against what the universe is telling you, you set yourself up for more of a battle.

Along with reading as much as I could about Andy, several of the real folks came in besides Andy [Hertzfeld] - Joanna Hoffman and John Sculley and Steve Wozniak all came in and spoke with us - so we had the advent of being around the real people and feeling their spirit, in talking to them about what Steve was like, what their relationship was like, and how they felt about each other.

The key research I usually apply that allows me to understand the roles that I take on, starts with the script in front of me, and what it offers. I try to absorb as much of it as I can, in the time that I have to study it, and I like to change things up, if I have a choice in the matter... and I usually don't. I dream on it, write about and find out who the individual is, and try to bring him to life with as much human and truth as I can.

I love Seth Rogen's line in which he talks about how you can be both a genius and decent at the same time.

Most of the people in New York are very often from somewhere else.