I write both, as you know, dozens of ecological and social scientific and historical works, dozens of novels. It's hard to describe a novel that grapples with the horrors of World War II as anything but grueling. But Codex Orfรฉo is somehow...well, I hope, riveting for readers. Deeply provocative. Cinematic in a nearly surreal sense.
Michael TobiasThe Holocaust most assuredly challenges any and all faith in God. Faith in humanity. Faith in nature. Faith in the future. I don't "tell" young people anything. I ask them to consider many things, particularly, their assumptions regarding their natural obligations to be loving towards all living beings. Many of my works - both literary and film - are fictional, like Codex Orfรฉo. And that's because the genre has always allowed me to suggest things that are opinions, spiritual impulses and intuitions, not necessarily provable.
Michael TobiasPoetry, song, stories, art, our reverence for nature, are key to our survival as a species, and to the survival of all species, I believe. You can't always extract such emphatic hunches and activist stances from a scientific maxim or mathematical axiom.
Michael TobiasAny rational human being is horrified and existentially baffled by the reality of the Holocaust meted out by the Nazis, by the majority of Germans throughout the 1930s and World War II; and by the countless countries, communities and individuals who collaborated with the vast constellation of Hitler's monsters in the gruesome murder of well over 60% of European Jewry. Codex Orfรฉo reminds us that the root of that insanity is continuing in the form of contemporary Holocausts against other species, with equally systematic, atrocious and inexplicable madness.
Michael TobiasI write both, as you know, dozens of ecological and social scientific and historical works, dozens of novels. It's hard to describe a novel that grapples with the horrors of World War II as anything but grueling. But Codex Orfรฉo is somehow...well, I hope, riveting for readers. Deeply provocative. Cinematic in a nearly surreal sense.
Michael Tobias