I think every filmmaker makes different choices. I remember in the early days, in some of the early comic book movies, certain white dissolves were used that would try to emulate the look and feel of comic book panel borders. Sometimes they would frame shots in panels or circles that gave it a real comic book feel.

If you look at all the comic book films that have come since then, in terms of tone, in terms of look, even in terms of Danny Elfman's music for Batman, so many that followed have been inspired by that, specifically. It had a cultural impact worldwide.

I reject the concept that comic books in movies are a genre. I have been fighting that for many years, with the powers-that-be in Hollywood.

There have been so many interpretations of both Batman and the Joker in the comic books themselves over the decades, from one extreme to the next, and in the media, from one extreme to the next.

When you are dealing with approximately two-plus hours every few years to do a story, you don't have the luxury of having excessive screen time to explore, in detail and in-depth, lots of other subsidiary or ancillary supporting characters.

I have great admiration and respect for the editors, writers, and artists of the comic books. They're turning out, I don't know, maybe 100 Batman stories a year, and the character turns 70 years old in May. It's incredible: for 70 years, on a weekly basis, every Wednesday, there is some Batman story coming out, if not a bunch of Batman stories coming out.

They [comic books] are not a genre, they are not something to get hot and cold from one year to the next, they're the exact same thing as books and plays: they are a source of great stories and colorful characters.