There's still a 1950s view of cinema, that there's one audience and they all want to see the same thing.

I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.

From my experience working with comedians, there is that competitive aspect. With actors, for instance, they don't want to look competitive even if they are, whereas comedians, I think, are openly happy to play on the idea that they all compete with each other to get the laughs. There's something about comedy, I think, that encourages that. There's this kind of schoolboy sense of wanting to top the other person that we play off of to show them competing for who's smarter or cleverer.

You can almost take the book and use it as a script.

When you start being enthusiastic about whatever it is you like, that is the golden age for you.

There's still a 1950s view of cinema, that there's one audience and they all want to see the same thing.

I still enjoy watching films more than making them.