I like Palestinians in the morning when they come and we talk but in the evening, who knows, maybe they don't know that I'm nice.

You look at them, the animals in the wild, and they stay the same. They have their rules which I cannot decipher, and there's something very strong about that, it's also unknown and for me unpredictable.

I usually go to bed early to read. I read and I always say that I'm not a "bohemian artist;" I need to read for one or two hours in the evening, and the quiet, so I don't hang out a lot.

I go back to [the idea] that we are avoiding all of these unknowns, we're avoiding the night - most of us - we're avoiding the encounters, but we're also afraid to deal with something unknown, unseen.

I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.

I think that the world is in a very serious decline - very, very serious.

There's this progress, incredible progress of technology, everything is figured out, everything is known, everything is systematic and under control, communication is going on, but still there is such a great portion of life that we have utterly no control over. It's completely chaotic. Something could happen overnight.