If you ask me about music and how things should be played, I believe that music-making is the combination of having learned how to do something right, what one feels is right to do in the moment, and the way the audience is listening.

I've always been very inspired by people who can make their instrument sound very natural.

You need to express things stronger today, more so than in the Baroque time, and you need to expand the expressiveness of the instrument.

Each composer has their own language, and I try to meet the challenges, even if at first sight, they appear impossible.

In concert, I often try to feel the audience and feel their way of hearing. If I feel that there is no contact between the audience and the music, I try to look stronger within myself, hoping that this will lead to a better contact.

Of course, the recorder will never have the repertoire of the piano or the violin.

It is important to note that the world changes and that perception of music changes as well.