The soul is the effect and instrument of a political anatomy; the soul is the prison of the body

The political and social processes by which the Western European societies were put in order are not very apparent, have been forgotten, or have become habitual. They are part of our most familiar landscape, and we don't perceive them anymore. But most of them once scandalized people.

What strikes me is the fact that in our society, art has become something which is only related to objects, and not to individuals, or to life.

We must uncover our rituals for what they are: completely arbitrary things, tied to our bourgeois way of life; it isgood-and that is the real theater-totranscend them in the manner of play, bymeans of games and irony; it is good to be dirty and bearded, to have long hair,to look like a girl when one is a boy (and vice versa); one must put "inplay," show up, transform and reversethe systems which quietly order us about.

[Knowledge is governed not by] a theory of knowledge, but by a theory of discursive practice.

It is over life, throughout its unfolding, that power establishes its dominion; death is power's limit, the moment that escapes it; death becomes the most secret aspect of existence, the most private.

We should not be content to say that power has a need for such-and-such a discovery, such-and-such a form of knowledge, but we should add that the exercise of power itself creates and causes to emerge new objects of knowledge and accumulates new bodies of information. ... The exercise of power perpetually creates knowledge and, conversely, knowledge constantly induces effects of power. ... It is not possible for power to be exercised without knowledge, it is impossible for knowledge not to engender power.