On the level of investigative results, John Boswell's methodology has led to the discovery that what has been called the repression of homosexuality does not date back to Christianity properly speaking, but developed within the Christian era at a much later date. In this type of analysis it is important to be aware of the way in which people conceived of their own sexuality.

Confined on the ship, from which there is no escape, the madman is delivered to the river with its thousand arms, the sea with its thousand roads, to that great uncertainty external to everything. He is a prisoner in the midst of what is the freest, the openest of routes: bound fast at the infinite crossroads. He is the Passenger par excellence: that is, the prisoner of the passage. And the land he will come to is unknown—as is, once he disembarks, the land from which he comes. He has his truth and his homeland only in that fruitless expanse between two countries that cannot belong to him.

Maybe the target nowadays is not to discover what we are but to refuse what we are.

Little information is published on prisons, it is one of the hidden regions of our social system, one of the dark zones of our life.

In its function, the power to punish is not essentially different from that of curing or educating.

Methodologically speaking, the rejection by [John] Boswell of the categorical opposition between homosexual and heterosexual, which plays such a significant role in the way our culture conceives of homosexuality, represents an advance not only in scholarship but in cultural criticism as well.

But let there be no misunderstanding: it is not that a real man, the object of knowledge, philosophical reflection or technological intervention, has been substituted for the soul, the illusion of theologians. The man described for us, whom we are invited to free, is already in himself the effect of a subjection more profound than himself. A 'soul' inhabits him and brings him to existence, which is itself a factor in the mastery that power exercises over the body. The soul is the effect and instrument of a political anatomy; the soul is the prison of the body.