What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, or to life. That art is something which is specialized or which is done by experts who are artists. But couldn't everyone's life become a work of art? Why should the lamp or the house be an art object, but not our life?

Resistances do not derive from a few heterogeneous principles; but neither are they a lure or a promise that is of necessity betrayed. They are the odd term in relations of power; they are inscribed in the latter as an irreducible opposite.

What I seek is a permanent opening of possibilities.

One thing in any case is certain: man is neither the oldest nor the most constant problem that has been posed for human knowledge.

The 'Enlightenment', which discovered the liberties, also invented the disciplines.

During the years 1945-1965 (I am referring to Europe), there was a certain way of thinking correctly, a certain style of politicaldiscourse, a certain ethics of the intellectual. One had to be on familiar terms with Marx, not let one's dreams stray too far from Freud.... These were therequirements that made the strange occupation of writing and speaking a measure of truth about oneself and one's time acceptable.

People can tolerate two homosexuals they see leaving together, but the next day they're smiling, holding hands, tenderly embracing one another, then they cannot be forgiven. It is not the departure for pleasure that is unacceptable, it is waking up happy.