Of course, from time to time, I want to do everything myself and be more involved on my own with the creative process. But I don't mind the collaboration at all.

The MTV Video Awards were never about the video, but about the song. Most of the time it was just to glorify people for the wrong reason.

I've always loved 3D. In fact, as a kid, I was exposed to 3D at an early age because my grandfather was a specialist of 3D in cinematheques. And then my cousin put it in 'Science of Sleep' with toilet paper tube cities. But he was a specialist and I always wanted to do something in 3D.

The problem is, with a lot of children's films, they are very commercial.

I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.

I'm attracted to working with comedians because they don't have that stars' idea of what a hero should be. The downside is they're always addressing the camera too much.

My goal was to show that even if people work in a garage or a supermarket, they have very funny things to say. We never hear their voices.