But sometimes I think you have to try to do things that people don't think are doable.

When you do not have the dialogue to explain things, you will use everything to show and to tell the story. I think that this is what makes you believe that it is impeccable

Usually, when you do a period movie, you just recreate what you are shooting. You don't recreate the way you shoot it. I think I did the same thing here as I did in the OSS 117 movies. I recreated the way to shoot that period, because to me, like what I was saying about the Steadicam, there's no sense to do a Steadicam shot in the 1920s because you have never seen the '20s like that. You can't believe there was a Steadicam in the 1920s. I believe it's a continuation of the OSS 117 in a way but without the irony.

To me the recognition of the audience is part of the filmmaking process. When you make a movie, it's for them.

I make almost all the decisions on set and have to deal with all the financial aspects.

But sometimes I think you have to try to do things that people don't think are doable.

There's always been a struggle with filmmakers between art and industry, and you have to find a balance