This progressive effacement of human relationships is not without certain problems for the novel. How, in point of fact, would one handle the narration of those unbridled passions, stretching over many years, and at times making their effect felt on several generations? We’re a long way from Wuthering Heights, to say the least. The novel form is not conceived for depicting indifference or nothingness; a flatter, more terse, and dreary discourse would need to be invented.

I admit that invective is one of my pleasures. This only brings me problems in life, but that's it. I attack, I insult. I have a gift for that, for insults, for provocation. So I am tempted to use it.

I am for the muscles. I would like to have a lot of muscles, because women like it. I'm for bodybuilding, but it's very exhausting.

The terrible predicament of a beautiful girl is that only an experienced womanizer, someone cynical and without scruple, feels up to the challenge. More often than not, she will lose her virginity to some filthy lowlife in what proves to be the first step in an irrevocable decline.

To the end, I will remain a child of Europe, of worry and of shame. I have no message of hope to deliver. For the West, I do not feel hatred. At most I feel a great contempt. I know only that every single one of us reeks of selfishness, masochism and death. We have created a system in which it has simply become impossible to live, and what's more, we continue to export it.

The love of a dog is a pure thing. He gives you a trust which is total. You must not betray it.

Life is painful and disappointing. It is useless, therefore, to write new realistic novels. We generally know where we stand in relation to reality and don’t care to know any more.