This progressive effacement of human relationships is not without certain problems for the novel. How, in point of fact, would one handle the narration of those unbridled passions, stretching over many years, and at times making their effect felt on several generations? We’re a long way from Wuthering Heights, to say the least. The novel form is not conceived for depicting indifference or nothingness; a flatter, more terse, and dreary discourse would need to be invented.

When we think about the present, we veer wildly between the belief in chance and the evidence in favour of determinism. When we think about the past, however, it seems obvious that everything happened in the way that it was intended.

Last election shows that there's a big discrepancy between two parts of the country. That discrepancy also exists in France, but we've had the National Front for forty years, and it only took Trump one year to get elected. Very fast. That's the surprising thing. In France we thought everybody liked Obama, but maybe the media were lying. Maybe they didn't.

The terrible predicament of a beautiful girl is that only an experienced womanizer, someone cynical and without scruple, feels up to the challenge. More often than not, she will lose her virginity to some filthy lowlife in what proves to be the first step in an irrevocable decline.

Islam is a dangerous religion.

I'd say that the question whether love still exists plays the same role in my novels as the question of God's existence in Dostoevsky.

To the end, I will remain a child of Europe, of worry and of shame. I have no message of hope to deliver. For the West, I do not feel hatred. At most I feel a great contempt. I know only that every single one of us reeks of selfishness, masochism and death. We have created a system in which it has simply become impossible to live, and what's more, we continue to export it.