My most important title is still “mom-in-chief.

Rap was forbidden with the people who were interviewing us and the shows that I was getting [booked on], and I had kind of crossed over. So Jerry [Heller, who managed N.W.A.] would tell me, 'Do not say you're a rapper, always say you're R&B.'

Dre couldn't have given me those words to write, and he couldn't have given me that voice to sing. I couldn't have given him that musical talent or the ability that he has. What we made came from putting things together. I've always said that.

I can't think of any time we had a discussion [with Dre] about the aftermath of what happened the night before. We just had too much going on.

Here are white men poised to run big marijuana businesses, dreaming of cashing in big—big money, big businesses selling weed—after 40 years of impoverished black kids getting prison time for selling weed, and their families and futures destroyed. Now, white men are planning to get rich doing precisely the same thing?

Then instead of introducing Dre as the guy from N.W.A., Jerry Heller would say Dre was my producer! Dre would come to my interviews with me - he'd come to all these places that would never have had the guy from N.W.A. Wasn't it genius?

Do you see how Jerry Heller made it work? That is how he combined what we did to make the rap music into mass music. That's exactly how it happened.