There is still a lot of hard work that we as a country need to do. They can't look to any one individual, whether it's Barack or it's the next new hope that's going to appear to be that savior.

Well, right now, my music is - it's just happy. I'm not in a relationship, but I know who I am now. I have wisdom. I have the power of knowing who I am. That's huge.

Doing reality TV is hard. You get lost. You are shooting three months before anybody sees it. So you are past [the emotions]. Then when it airs and the public sees it, they react and it drags you back. It feels you have grown, but then you suddenly feel like you haven't moved at all.

The beatings, the beatings were so normal to me. The abuse was just routine. I didn't wake up the next day and say, 'Dre, why did you hit me?' We never talked about it the next day. Never.

I'm not all dolled up. We tried to keep it as real as we could. We're telling you something that happened. It's a part of history. I hope this movie [ 'Surviving Compton'] gives you a little bit of me and of my music and my heart.

Do you see how Jerry Heller made it work? That is how he combined what we did to make the rap music into mass music. That's exactly how it happened.

Here are white men poised to run big marijuana businesses, dreaming of cashing in big—big money, big businesses selling weed—after 40 years of impoverished black kids getting prison time for selling weed, and their families and futures destroyed. Now, white men are planning to get rich doing precisely the same thing?