Then instead of introducing Dre as the guy from N.W.A., Jerry Heller would say Dre was my producer! Dre would come to my interviews with me - he'd come to all these places that would never have had the guy from N.W.A. Wasn't it genius?

When I met Dre, N.W.A. didn't exist, nor did Michel'le. And I think we had a chemistry. When started working on my stuff, we created something that was phenomenal.

Studying in countries like China isn't only about your prospects in the global marketplace. It's not just about whether you can compete with your peers in other countries to make America stronger. It's also about whether you can come together and work together with them to make our world stronger. It's about the friendships you make, the bonds of trust you establish and the image of America that you project to the rest of the world.

Before we can work on the problems, we have to fix our souls. Our souls are broken in this nation.

I would go back in time and do differently it is that. I would go back and ask, 'Why?' But I never did. I got up, he got up, we went on about our day. We never discussed the situation [with Dre]. Just, never.

It's one of many ways that Barack shows me and the girls how special we are. And that's the thing that touches me about him. I don't care what's on his plate. I don't care what he's struggling with. When he steps off that elevator into our residence he is Barack and dad. And there's just those little things that you do that remind you, that you know, I still got ya.

I call his ['Straight Outta Compton'] story a Disneyland because it's an illusion. It is how he wanted it to be remembered, so that is how he portrayed it. And he had every right to do that. As did I.