I never seem to be able to sell my films correctly in the U.S. The U.S. defends itself on its own turf.

Kids in different countries know my movies by heart because they've seen them so many times. And wonderful returns never stop.

For me, the stereoscopic imagery was a new game to play with. Surprisingly enough, it's also a return to tradition. I'm back with paper-looking puppets moving about in several layers of theatrical backgrounds.

The quality and success of Disney was actually bad for us animators because everyone on the planet thought that animation was only for kids and only in a certain domain. The big film festivals never thought much about animated films.

I think that stereoscopic 3D will have to continue to develop. It's still quite archaic because of the glasses you have to wear.

The film industry needs to find a way to bring audiences to movie theaters. It's more of a technical trick than a revolution.

I've never made films for children. That's why children like my films. Nobody wants to be treated as a baby.