My inspiration is my life, what I see happening around me. It can be history and, quite often, plain traditional fairy tales. But I never adapt; I nourish myself with old stories, and then create my own tales.

I never seem to be able to sell my films correctly in the U.S. The U.S. defends itself on its own turf.

I'm at peace with myself. My film just may please audiences. At any rate, it's already a great prize to be part of just 16 films among all of the world cinema out there. I'm tranquil and satisfied.

For me, the stereoscopic imagery was a new game to play with. Surprisingly enough, it's also a return to tradition. I'm back with paper-looking puppets moving about in several layers of theatrical backgrounds.

I've never made films for children. That's why children like my films. Nobody wants to be treated as a baby.

I do my films the best as I can, period. I always hope that, gradually, my honest work will reach Americans.

No matter what the level of funding or success may be, there's always money missing, and you still want to have a gorgeous image, an endless cast and a flawless rendering.