It's untrue to say the colors I use are not those of reality. They are real: The red I use is red; the green, green; blue, blue; and yellow, yellow. It's a matter of arranging them differently from the way I find them, but they are always real colors. So it's not true that when I tint a road or a wall, they become unreal. They stay real, though colored differently for my scene.

Innovation comes spontaneously. I don't know if I've done anything new. If I have, it's just because I had begun to feel for some time that I couldn't stand certain films, certain modes, certain ways of telling a story, certain tricks of plot development, all of it predictable and useless.

The way I relax, what I like doing most, is watching. That's why I like traveling, to have new things before my eyes - even a new face. I enjoy myself like that and can stay for hours, looking at things, people, scenery.

The struggle for life is not only the material and economic one. Comfort is no protection from anxiety.

Hollywood doesn't believe in the death penalty for anyone except people who get cable TV without paying for it. Hollywood is like being nowhere and talking to nobody about nothing.

The women I like, no matter what nationality, all seem to have more or less the same qualities. Perhaps this is because one goes looking for them - that is, you like that type of woman and then look for her.

I want an actor to try to give me what I ask in the best and most exact way possible. He mustn't try to find out more, because then there's the danger that he'll become his own director.