In Blow-up I used my head instinctively!

I simply know what the actor's attitude should be and what he should say. He doesn't, because he can't see the relationship that begins to exist between his body and the other things in the scene.

All I know is that we are loaded down with old and stale stuff - habits, customs, old attitudes already dead and gone.

You can't go to an LSD or pot party unless you take it yourself. If I want to go, I must take drugs myself.

I read somewhere that happiness is like the bluebird of Maeterlinck: Try to catch it and it loses its color. It's like trying to hold water in your hands. The more you squeeze it, the more the water runs away.

I've made films about the middle classes because I know them best. Everyone talks about what he knows best.

In Blow-up I used my head instinctively!