At one point I had a stretch where it was working on 'In Treatment,' then 'True Blood,' then 'Durham County,' then 'True Blood,' then 'In Treatment' again. If I didn't have that little dose of 'True Blood' in the middle, I might have lost my mind.

When I do watch shows, or projects that I've been a part of, I'm pretty good at watching them objectively. And that's mostly because I want to see how it came out overall, what the overall story was and how it came together visually, what my mates were doing.

There's a feeling of immortality you have in youth. You just don't see the dangers around you, or, if you do, maybe you're even excited by them.

I’ve discovered a new affliction; it’s called Orphan Black Eyes. When people ask me what I’m working on and I tell them Orphan Black…they usually clutch a part of my body and their eyes go wide and a little crazy. People are MAD for this show. As am I.

I had so many offers after 'True Blood' for things that were someone in the same vein, but nowhere near Alan Ball's vision. Or something that was over-the-top and fantastical. And I've always wanted to play the regular, working-class mom, and I've never really had the chance to do that.

I thought a vegan diet would be too difficult, being on the road so much, but it's been far easier than I thought.

I've never had a plan. You look for different actors you want to work with or different subjects you want to explore, or sometimes it's just a momentary fancy.