I had so many offers after 'True Blood' for things that were someone in the same vein, but nowhere near Alan Ball's vision. Or something that was over-the-top and fantastical. And I've always wanted to play the regular, working-class mom, and I've never really had the chance to do that.

For whatever reason, every project I do becomes sort of a cult, or a cultish show, you know, like 'Battlestar,' or even a film I did years ago, 'Kalifornia,' people refer to it as a cult film.

I was deliciously happy filming True Blood. I even kept all the scripts in my office, which I never do with any script. Although I did shred them all in one go when the series finished; it seemed like a ritual, somehow.

As an actor, you want as much variety as you can muster up. Otherwise you just keep playing the same chord over and over again.

I've never had a plan. You look for different actors you want to work with or different subjects you want to explore, or sometimes it's just a momentary fancy.

I’ve discovered a new affliction; it’s called Orphan Black Eyes. When people ask me what I’m working on and I tell them Orphan Black…they usually clutch a part of my body and their eyes go wide and a little crazy. People are MAD for this show. As am I.

It's a wonderful thing working with young actors. I know a lot of people don't like working with children. I actually adore it, because you watch their imagination open up and you watch them start to learn this job that I've been doing for so long. They come with such a lack of cynicism.