I think there are three types of actors. There are the ones that do the ego thing, which is "I'm never going to look bad in a movie, ever." This is mostly the action film dudes, like, "Nah, hell no. He ain't punchin' me! I'd whoop his ass!" Then you've got the activist type who bases their decisions in the development of a character on what it symbolizes to society - what the ethical code is. And then the third type is a true thespian who doesn't give a flying rat's ass what it is as long as it's deep, powerful, and painful, and they will dive in headfirst. I really respect those people.

At school, I was this tomboy kid who just loved to hang out with her friends and learn curse words, trying to fit in with the cool kids and defending all the kids who got picked on.

I'm always researching ancient religions, and I was also raised Jehovah's Witness, so that kind of scarred me for life.

I don't like weak women and I don't find it interesting to play them. I'm inspired by them, when I see them in dramas, like with Natalie Portman, in almost every movie she's in. It's awesome that chicks can really go there, and it's beautiful to watch, but I don't think I'm interested, in any way, shape or form, in embodying those creatures.

I'm like, "Well, damn, that means that I have to carry a flag." I don't have the freedom to just do anything, because I have the political weight of having this last name and my heritage. It's not like I've transcended, Will Smith-style. It takes a lot to pull that off, to cross over, and transcend.

I thought about making movies. It hit me when I was about 14, 15 years old.

The Dewey decimal system really works. So that's all I needed to know. Elementary school taught me that.