I have lots of objects. Every object has a story, which makes me think I should write a story about every object.

I did live in Paris for three years and I prefer New York.

I find great satisfaction in the rigorous structure of the grid, but I like the organic on the grid so that there's a combination of structure and chaos.

The cultures of the Americas were extremely complex and interesting, with their own languages and observatories to watch the stars. The more you know about them the more you realize how extremely impressive they were. Bloodthirsty, though, I think they were as well.

There was a great sense of community mainly among the women artists at the time because we felt left out. I still know most of the women that I knew then, the ones that are still alive.

I have found, and most artists are probably this way, that [when] you're working on some kind of idea, the idea makes demands.

I have made on occasion posters and things like that for political reasons but not my work.