There was a great sense of community mainly among the women artists at the time because we felt left out. I still know most of the women that I knew then, the ones that are still alive.

I have lots of objects. Every object has a story, which makes me think I should write a story about every object.

Very early on I was interested in doing political art, but it was not feminist political art.

I never made "feminist art," and if I did it was not deliberate.

Fortunately, when we have all our marbles, we can shift our memories very quickly.

I have found, and most artists are probably this way, that [when] you're working on some kind of idea, the idea makes demands.

I was out in California over the holidays and I was working with some photographs I took out there just now, actually, which were all different photographs of the sunset. They're really interesting because El Niño has changed the cloud configuration, not only the sea, but also the whole makeup of the clouds, the sunset, and the different gradations of color and tonality. So it'll be interesting to work with that.