There was a great sense of community mainly among the women artists at the time because we felt left out. I still know most of the women that I knew then, the ones that are still alive.

I've always liked New York even before I lived in New York. It represents something, I think, and it would be trite to say what it represents really because it's been said so many times.

I was out in California over the holidays and I was working with some photographs I took out there just now, actually, which were all different photographs of the sunset. They're really interesting because El Niño has changed the cloud configuration, not only the sea, but also the whole makeup of the clouds, the sunset, and the different gradations of color and tonality. So it'll be interesting to work with that.

I never made "feminist art," and if I did it was not deliberate.

In order to execute the idea, you need a certain material that is going to allow you to do what you're challenged to do in your imagination. You should use whatever you can and it's amazing how even if you change the medium, your work is still yours.

When I graduated from high school, this is in Los Angeles, I was very interested in taking a trip to Mexico to see the archeological sites. So three other people and myself drove down there.

I find great satisfaction in the rigorous structure of the grid, but I like the organic on the grid so that there's a combination of structure and chaos.