Very early on I was interested in doing political art, but it was not feminist political art.

I have lots of objects. Every object has a story, which makes me think I should write a story about every object.

I have made on occasion posters and things like that for political reasons but not my work.

There was a great sense of community mainly among the women artists at the time because we felt left out. I still know most of the women that I knew then, the ones that are still alive.

Flying used to be so great but now it's more of a trial.

I find great satisfaction in the rigorous structure of the grid, but I like the organic on the grid so that there's a combination of structure and chaos.

I did live in Paris for three years and I prefer New York.