The grown-up world was a very ordered society in the early '60s, and I was coming out of it. America was even more ordered than anywhere else. I found it was a very restrictive society in thought and behavior and dress.

It's nice to collect stamps, but if it becomes obsessive, and you start stealing for your stamps, it becomes too much.

I'm interested in feedback and learning what people want. It's a tricky thing for me when I do a set list. You get bored doing the same songs. Let's say we do one ballad in two hours, and it's "Wild Horses." If you say, I'm tired of that, let's try something less well known, and then you're out there stumbling through this song you just relearned at sound check, and you realize people probably want "Wild Horses" instead of this. You do need to do some songs that aren't so well known. The question is how many? I'm open to people posting their requests.

Thanks to everyone in Israel for the wonderful welcome. It was a great show and we'll remember it forever.

Starting off in music, the purpose of it was not to become like well known on the street and be famous. You know, I didn't even think about that part of being famous. Famous for making records, yes, but famous face in a woman's magazine, I never thought of that. I didn't want that.

People have this obsession. They want you to be like you were in 1969. They want you to, because otherwise their youth goes with you. It's very selfish, but it's understandable.

I didn't have any inhibitions. I saw Elvis and Gene Vincent, and I thought, "Well, I can do this." And I liked doing it.