I don't think that being in a full-time relationship is necessarily for everybody all of the time. It's not necessarily some state of grace.

Goddess was made in my home in France. The material retained an integrity whit it would have lost in Los Angeles studio.

The grown-up world was a very ordered society in the early '60s, and I was coming out of it. America was even more ordered than anywhere else. I found it was a very restrictive society in thought and behavior and dress.

Country music... doesn't bend notes in the same way, so I suppose it's very English, really. Even though it's been very Americanized, it feels very close to me, to my roots, so to speak.

The elusive nature of love... it can be such a fleeting thing. You see it there and it's just fluttering and it's gone.

I don't believe in original melodies. There are only so many computations of eight notes.

I like to have a peek, see what the audience is doing during the opening act, because it gives you a clue and gives you a good feeling of where you are - the air can be different in different places.