Goddess was made in my home in France. The material retained an integrity whit it would have lost in Los Angeles studio.

It's a real buzz, even in front of 20 people, to make a complete fool of yourself. But people seemed to like it. And the thing is, if people started throwing tomatoes at me, I wouldn't have gone on with it.

I love America, but I can't spend the whole year here. I can't afford the taxes.

The music's rehearsed a lot. All people think about is, they think, in rock 'n' roll, they get the music off right and they think it's okay standing, looking macho. Well, it's not. That's boring. If you want to be a performer you've got to do a lot more work than that.

Samba rhythm is a great one to sing on, but it's also got some other suggestions in it, an undercurrent of being primitive - because it is a primitive African, South American, Afro-whatever-you-call-that rhythm. So to white people, it has a very sinister thing about it.

I'm interested in feedback and learning what people want. It's a tricky thing for me when I do a set list. You get bored doing the same songs. Let's say we do one ballad in two hours, and it's "Wild Horses." If you say, I'm tired of that, let's try something less well known, and then you're out there stumbling through this song you just relearned at sound check, and you realize people probably want "Wild Horses" instead of this. You do need to do some songs that aren't so well known. The question is how many? I'm open to people posting their requests.

People also like partnerships because they can identify with the drama of two people in partnership. They can feed off a partnership, and that keeps people entertained. Besides, if you have a successful partnership, it's self-sustaining.