I don't want to be singing Satisfaction when I'm 40.

I'm interested in feedback and learning what people want. It's a tricky thing for me when I do a set list. You get bored doing the same songs. Let's say we do one ballad in two hours, and it's "Wild Horses." If you say, I'm tired of that, let's try something less well known, and then you're out there stumbling through this song you just relearned at sound check, and you realize people probably want "Wild Horses" instead of this. You do need to do some songs that aren't so well known. The question is how many? I'm open to people posting their requests.

Goddess was made in my home in France. The material retained an integrity whit it would have lost in Los Angeles studio.

The grown-up world was a very ordered society in the early '60s, and I was coming out of it. America was even more ordered than anywhere else. I found it was a very restrictive society in thought and behavior and dress.

People also like partnerships because they can identify with the drama of two people in partnership. They can feed off a partnership, and that keeps people entertained. Besides, if you have a successful partnership, it's self-sustaining.

I don't spend money on anything. I don't collect anything. I don't spend it on furniture.

I don't find it easy dealing with people with drug problems. It helps if you're all taking drugs, all the same drugs.