You know, some people say that Cannes is the worst place in the world to see cinema. It's a paradox. They have the new films , lots of interesting films premiering there for the first time. At the same time it's such a mess and a confusion. You have to run from one screening to another.

In general I'm more attached to a cinema that tries not to replicate the real world and life.

I have the opportunity to make my films and I think that's a luxury. I don't have any problems by filming things that can have a connection with left-wing policy, even if we have a right-wing government. There are some countries which cannot say the same, so I'm lucky.

I would not like to have a homogeneous type of film. I wanted to go to many different kinds of ways of making cinema and telling stories and watching the country.

It's true that mostly in the last years, from the moment when Portugal was subjected to this policy of austerity, imposed by Europe, that I think many Portuguese became a little bit more left-leaning, and so did I too, I could not not care about the situation. I had to deal with it in some way.

You know, some people say that Cannes is the worst place in the world to see cinema. It's a paradox. They have the new films , lots of interesting films premiering there for the first time. At the same time it's such a mess and a confusion. You have to run from one screening to another.

I think that there's a very lucid side in cinema: entering a theater and seeing the film.