I'll get a nice little break, after doing Jessica Jones and Luke Cage. Whether I'm in [his show], I don't know, but there's The Defenders.

Sometimes you meet someone at an inopportune moment and it doesn't work out, but then you see them again five years later and you're in different places and it's a better time.

Dialogue is not always the best way to show emotion, to show your thought process, or to reveal yourself, as a character.

The writers are very good about misdirection and changeups, and that's what's great about it. We always think we know what's going to happen and then they throw a curveball that you don't see coming.

When you take the job, you never think about how many days you're going to take bullets. Sometimes you go on set and you're thinking, "Ah, a day when I don't have to get shot. This is going to be a nice day."

I respond to powerful women. I'm not intimidated by that, I like that, it's not something I shy away from, so I don't want women who are looking for me to take care of them. To me, that's a turn-off. I respond to strong, powerful, independent women.

As a male, I thought the female voice was so strong, unique, real and accessible to most females. In some way, shape or form, they felt like they could relate to it, on some level, because they went through some form of unspeakable horror like what Kilgrave did to Jessica [Jones]. That, in itself, is something that most people shy away from, even in shows that are on cable or in movies.