What I enjoyed about being in the world of Jessica Jones, as Luke Cage, is that I wasn't front and center because it was Jessica Jones' story, but it allowed me to find the character from a different perspective.

When you're casting, you get a page or two - just enough to do the scene. Now that you're in the world, you get the whole script.

I'm actually filming all the time, and I don't have much time to do anything. I've always been that way.

Some people get divorced, they leave the person for a couple of years, then they remarry. Relationships are very, very strange.

Most of the people you look at in the early days of Harlem - the zoot suits, the music, the style of fashion, the vibrant colors - that's all influences from the south.

When you take the job, you never think about how many days you're going to take bullets. Sometimes you go on set and you're thinking, "Ah, a day when I don't have to get shot. This is going to be a nice day."

The writers are very good about misdirection and changeups, and that's what's great about it. We always think we know what's going to happen and then they throw a curveball that you don't see coming.