I guess it's a bit cliché, but as an actor, I really admire good writing. There are a lot of great ideas out there, but it's the execution that really makes it work.

It's hard to articulate what everybody else is feeling.

The awkward thing is the people in the room besides us. It's not us. It's just the 20 or 30 people that are around on set, who normally wouldn't be on set. That's always interesting.

Harlem is really a melting pot for a lot of different people.

I don't have a routine, but I have used meditation to just decompress and focus.

As a male, I thought the female voice was so strong, unique, real and accessible to most females. In some way, shape or form, they felt like they could relate to it, on some level, because they went through some form of unspeakable horror like what Kilgrave did to Jessica [Jones]. That, in itself, is something that most people shy away from, even in shows that are on cable or in movies.

I'm pretty relaxed on what people should be able to do as long as they're not hurting anybody else.