When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer.

I've spent my life hearing people trying to apologize for music.

I am intrigued enough to want to continue, and also to try and work with companies like Sony on modifying the cameras and making them more user-friendly and efficient.

One of the things I love about cinema is the range.

I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.

The function of camera movement is to assist the storytelling. That's all it is. It cannot be there just to demonstrate itself.

It's difficult working with very rich actors, because inevitably they become a little spoilt, and the managers and agents tend to control things more than is healthy.