One of the things I love about cinema is the range.

Films take up so much time, and with theatre, you do have to plan a period of time that you can be free.

I've spent my life hearing people trying to apologize for music.

In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material.

I am intrigued enough to want to continue, and also to try and work with companies like Sony on modifying the cameras and making them more user-friendly and efficient.

I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.

The function of camera movement is to assist the storytelling. That's all it is. It cannot be there just to demonstrate itself.