It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global.

Humans are vulnerable, messy little animals and that's normal. And all I want to do is make a space for that in my films.

Grief and memory go together. After someone dies, that's what you're left with. And the memories are so slippery yet so rich.

There's some movies I watch, they're kind of like my anti-anxiety pill, my anti-depressant pill. I watch them at least once or twice a month probably. And I never stop learning from them as a filmmaker.

The oldest sibling always knows things that the younger ones don't.

I am intrigued by inanimate objects. They're a piece of history, someone's statement and ideas of life.

As someone who grew up in a house where there wasn't a lot of talking, I'm used to just looking at the world. And in general I often feel like I just don't understand what's happening. That everybody else does, but I don't quite get it.