Diamanda Galás, the avant-weird performance artist... 'The devil's wife,' someone calls her. Faith No More loves Diamanda Galás.

If someone were to hire me for a film they'd be getting a certain kind of package, that's for sure, a certain set of tools. But I would listen to the director.

I guess I'm getting to the age where a lot of other people my age have real jobs, and when they're hard-up they refer to an old-timer like me.

I learned what I could do with my voice on stages and because of the people that I was around. It wasn't me sitting in a room by myself. I didn't know what I was doing. I was figuring it out on the fly.

The creative process for a musician is very different than for a filmmaker. I have an idea and I can pretty much execute it. As old as I am now and as long as I've been doing it, I can pretty much get it done in a week. While a filmmaker has a great idea that should be out tomorrow, but he has to go through this process of getting financing, then selling it, then casting. I've always been in awe of filmmakers and their patience in realizing their vision because I could never do that.

I'm not a poet. I'm not up onstage to get something off my chest. I'm making musical statements, or, most of the time, musical questions for people to figure out, and I'm not going to get in the way of that.

We just wanna be the happy bums that we are. That's all.