I learned what I could do with my voice on stages and because of the people that I was around. It wasn't me sitting in a room by myself. I didn't know what I was doing. I was figuring it out on the fly.

I lived in Italy for a number of years and I was really digging around trying to get my hands dirty, trying to learn about Italian music. And what I ended up gravitating towards was this stuff from the '50s and '60s and maybe early '70s, where there were these incredibly talented pop singers that weren't using pop bands.

Any idiot, any stockbroker can get out there and live out a fantasy and pretend like he's playing music. And I don't think there's anything wrong with that.

Stan Slaughter is the thoroughbred of the environmental educators I've hired. Second place is not even close.

I think that too many people think too much about my lyrics. I am more a person who works with the sound of a word than with its meaning. Often I just choose the words because of the rhythm not because of the meaning.

Puffy's the only guy who's jealous. All drummers want to be singers. I think it's a myth that the singer needs to be the focus. Bands perpetuate that myth. With somebody like Sebastian Bach it makes sense. Look at him. He could be in an Avon ad.

When you start to kind of immerse yourself in that improvisation culture, you gotta be comfortable enough with your instrument to throw yourself into a really potentially dangerous situation.