Forty percent of my ideas came from my wife.

If I wanted to own some Jack Kirby original art unless it was something that Giacoia or Sinnott had inked I was too close to it. I didn't want to collect his pages inked by me. Of course 40 years later I'd LOVE to have some of that stuff.

My most vivid memories of those times weren't the actual nuts and bolts, but just pleasant times sitting with Jack [Kirby] in his studio, going over the pages and looking out the window at my kids playing in his swimming pool .

When I was at Disney and was a character art manager and handing out artwork that had to be inked we had a thing where if there was any lettering on it I'd hear, "I don't letter," and I said, "Look at it. It's drawing. Ink the drawing." I just learned from Mike Aarons how each letter was just part of the drawing.

I used to get letters from guys in prison. Anymore now I don't even open them. They'd ask me to please sign a couple of cards for their children. Then I see them on eBay two weeks later. Or the people that write and say, "You is one of my favorite cartoonists. I would like a drawing, please." I guess they encourage inmates to write letters to celebrities. It's like a way to make money by selling autographs or something. Give me a break.

I moonlighted during a two-week vacation, doing a month's worth of work in two weeks; it almost killed me, but I wanted to stretch my muscles and the letter from the producer says, "Your storyboarding is Eisensteinian," referring to the famous Russian filmmaker.

I still have a lot my Disney store art left and if I ever run out I'll just redraw it, because it will still be my original art and as a freelancer I own it.