I understand that these people are all there to see me ride, that that's why they're in the building, and whether I have ten people, or a thousand people come out to see me, they still came out to see me, and I take that to heart.

Through getting sponsored and becoming a part of the Bones Brigade and Powell Peralta, doors were being opened. The entire culture was shifting from ramps to street, and I sort of became a poster child for that.

Kids at skate parks will step up and challenge me to a game of Skate, but I'm over that, I really don't care. I'm all about participating, and I'm all about being a part of this scene, but there's certain vibes I just don't get along with.

I don't want to be an object of consumption. I like to get out there and participate because I care about it. It's not because I've gotten filthy rich off the hides of young skaters that I feel some sickening obligation to act on, and make myself look like I'm not that bad of a guy. It's because I actually care.

There's a lot of time when skaters think they know everything because they've seen videos of you, and seen you on TV or the internet, and there's ways of throwing jabs and being inconsiderate and not having your manners.

If someone told me I had to give back, or I'm supposed to give back, or I'm supposed to do these things, I would reject that. My actions are those of valuing and caring.

They told me I'd have to be there for the entire shooting of the movie which was two and a half months and again, I was surprised. Most movies I'd worked on before took only a day or so, so I realized this was a pretty big deal. I got to the set and was involved in a very integral way, which was a fun experience to be a part of.