Nobody is born a dancer.

I always had a kind of strange relationship with New York City, with total love affair in the beginning then retreat during the kind of conservatives of politics and real estate and business came, and then I am again kind of fighting for the justice to the city, to open the city for the artists.

There comes a moment in a young artist's life when he knows he has to bring something to the stage from within himself. He has to put in something in order to be able to take something.

He is a male butterfly without the wings - the same kind of grace of a very young horse, so angular.

A country like Belgium, or socialist countries in central Europe spend more money on art education than the United States, which is a really puzzling thought.

I like the most provocative and most surprising partnerships on stage. Intensity and surprise.

I get speeding ticket like everybody else. If the restaurant is full I'm waiting in line like everybody else.