Creative Artists Agency put together a project of extraordinary mediocrity and colossal stupidity. Otherwise, it was great.

Soviet regime in a way deprived me from my childhood in my homeland, because my father was in military, and after the Yalta agreement he was sent to teach in military academy in Riga, and I was born then.

I was not extremely patriotic about Mother Russia. I played their game, pretending. You have to deal with, you know, party people, KGB. Horrifying.

It doesn't matter how high you lift your leg. The technique is about transparency, simplicity, making an earnest attempt.

When a dancer comes onstage, he is not just a blank slate that the choreographer has written on. Behind him he has all the decisions he has made in life. Each time, he has chosen, and in what he is onstage, you see the result of those choices. You are looking at the person he is, and the person who, at this point, he cannot help but be Exceptional dancers, in my experience, are also exceptional people, people with an attitude toward life, a kind of quest, and an internal quality. They know who they are, and they show this to you, willingly.

I always had a kind of strange relationship with New York City, with total love affair in the beginning then retreat during the kind of conservatives of politics and real estate and business came, and then I am again kind of fighting for the justice to the city, to open the city for the artists.

The problem is not making up the steps but deciding which ones to keep.