It must be added that from his first words the foreigner made a repellent impression on the poet, but Berlioz rather liked him - that is, not liked but . . . how to put it . . . was interested, or whatever.

Once in 1919, when I was traveling at night by train, I wrote a short story. In the town where the train stopped, I took the story to the publisher of the newspaper who published the story.

You're not Dostoevsky,' said the citizeness, who was getting muddled by Koroviev. Well, who knows, who knows,' he replied. 'Dostoevsky's dead,' said the citizeness, but somehow not very confidently. 'I protest!' Behemoth exclaimed hotly. 'Dostoevsky is immortal!

To struggle against censorship, whatever its nature, and whatever the power under which it exists, is my duty as a writer, as are calls for freedom of the press. I am a passionate supporter of that freedom, and I consider that if any writer were to imagine that he could prove he didn't need that freedom, then he would be like a fish affirming in public that it didn't need water.

Not fooling around, not bothering nobody, just sitting here mending the Primus," said the cat with a hostile frown, "and, moreover, I consider it my duty to warn you that the cat is an ancient, inviolable animal.

In order to be in control, you have to have a definite plan for at least a reasonable period of time. So how, may I ask, can man be in control if he can't even draw up a plan for a ridiculously short period of time, say, a thousand years, and is, moreover, unable to ensure his own safety for even the next day?

There is no greater misfortune in the world than the loss of reason.