I have a strong will to love you for eternity.

Perhaps if they had stayed together longer, Sabina and Franz would have begun to understand the words they used. Gradually, timorously, their vocabularies would have come together, like bashful lovers, and the music of one would have begun to intersect with the music of the other. But it was too late now.

Remembering now all those farewells (fake farewells, worked-up farewells), Irena thinks: a person who messes up her goodbyes shouldn’t expect much from her re-unions.

...he took a look at the blond girl's eyes and knew that he must not take part in the rigged game in which the ephemeral passes for the eternal and the small for the big, that he must not take part in the rigged game called love.

To rebel against being born a woman seemed as foolish to her as to take pride in it.

In Irena’s head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears.

The emotion of love gives all of us a misleading illusion of knowing the other.