War and culture, those are the two poles of Europe, her heaven and hell, her glory and shame, and they cannot be separated from one another. When one comes to an end, the other will end also and one cannot end without the other. The fact that no war has broken out in Europe for fifty years is connected in some mysterious way with the fact that for fifty years no new Picasso has appeared either.

Our historical experience teaches us that men imitate one another, that their attitudes are statistically calculable, their opinions manipulable, and that man is therefore less an individual (a subject) than an element in a mass.

Fortunately women have the miraculous ability to change the meaning of their actions after the event.

Totalitarianism is neither left nor right, and within its empire both will perish. I was never a believer, but after seeing Czech Catholics persecuted during the Stalinist terror, I felt the deepest solidarity with them. What separated us, the belief in God, was secondary to what united us. In Prague, they hanged the Socialists and the priests. Thus a fraternity of the hanged was born.

In Irena’s head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears.

what's the matter?" he asked "nothing" "what do you want me to do for you?" "i want you to be old. ten years older. twenty years older" what she meant was: i want you to be weak. as weak as i am.

In her presence I could dare everything: sincerity, emotion, pathos.