Anyone who thinks that the Communist regimes of Central Europe are exclusively the work of criminals is overlooking a basic truth: The criminal regimes were made not by criminals but by enthusiasts convinced they had discovered the only road to paradise. They defended that road so valiantly that they were forced to execute many people. Later it became clear that there was no paradise, that the enthusiasts were therefore murderers.

Woman is the future of man. That means that the world which was once formed in man's image will now be transformed to the image of woman. The more technical and mechanical, cold and metallic it becomes, the more it will need the kind of warmth that only the woman can give it. If we want to save the world, we must adapt to the woman, let ourselves be led by the woman, let ourselves be penetrated by the Ewigweiblich, the eternally feminine!

A man who loses his privacy loses everything. And a man who gives it up of his own free will is a monster.

[Kafka] transformed the profoundly antipoetic material of a highly bureaucratized society into the great poetry of the novel; he transformed a very ordinary story of a man who cannot obtain a promised job . . . into myth, into epic, into a kind of beauty never before seen.

In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty.

Every love relationship rests on an unwritten agreement unthinkingly concluded by the lovers in the first weeks of their love. They are still in a kind of dream but at the same time, without knowing it, are drawing up, like uncompromising lawyers, the detailed clauses of their contract. O lovers! Be careful in those dangerous first days! Once you've brought breakfast in bed you'll have to bring it forever, unless you want to be accused of lovelessness and betrayal.

Sad company is bad company.