If you sacrifice your art because of some woman, or some man, or for some color, or for some wealth, you can't be trusted.

I've come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I've never got there. . . . I'm always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play everyday.

Knowledge is freedom and ignorance is slavery

I mean, it makes me sick when I see a white man sitting there smiling at me being entertaining, man. When I know what he's gonna do after he gets through. You know, when you see that thing on their face - like: "Entertain me." You know what I mean? Even the black guy that's trying to be white - even he can have that crap on his face.

If you make a suggestion and [musicians] don't know what you mean, you have to be able to do it yourself. I often sit down on drums and show 'em just exactly what I want. And I do it and then say, "How do you do that?" It's because I know how it looks, I know what I want to hear, and I don't drop or rush any tempo. It ain't in my body, it ain't in my nephew's body.

What's swinging in words? If a guy makes you pat your foot and if you feel it down your back, you don't have to ask anybody if that's good music or not. You can always feel it.

Monk taught me more about music composition than anyone else on 52nd Street.