Tom Jones is funny to me, man. I mean, he really tries to ape Ray Charles and Sammy Davis, you know. He's nice-looking; he looks good doing it. I mean, if I was him, I'd do the same thing. If I was only thinking about making money.

I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens.

I think every Negro over fifty should get a medal for putting up with all that crap.

Sometimes, if you ask people to "go downstairs and get me this or that," they'll say, "It's rainin" or "It might rain," or "There's some bumpy roads on the road," or bla-bla-bla. They give you all those excuses, so when they do something which is easy, you're supposed to say, "Damn, you did that?"

I was minding my own business when something says to me, "you ought to blow trumpet." I have just been trying ever since.

I don't hold it against Dizzy [Gillespie], you know, but if a guy wants to play a certain way, you work towards that. If he stops - he's full of crap, you know. I mean, I wouldn't do it, for no money, or for no place in the white man's world. Not just to make money, because then you don't have anything. You don't have as much money as whoever you're trying to ape; that's making money by being commercial. Then you don't have anything to give the world; so you're not important. You might as well be dead.

It's not the notes you play, it's the notes you don't play.