The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself.

Because if you lived, as I did, several years under Nazi totalitarianism, and then 20 years in communist totalitarianism, you would certainly realize how precious freedom is, and how easy it is to lose your freedom.

Communists love to make films about composers, because composers compose music and don't talk subversive things.

Ideological pressure is much more crippling than commercial pressure. Crippling to your own freedom of thinking and creating, crippling the final results. If you wanted to succeed during the really hard-line totalitarian regime, you have to make so many compromises to please the censors that you don't recognize the original idea from the final result.

I'm convinced the Beatles are partly responsible for the fall of Communism.

For me, speaking is work. It's not like when you breathe.

You really see life around the principals to be as important as the main, principal actors. That's what cinéma vérité taught me - that it's not a question of having a main character, a great actor, and the rest is unimportant. Every detail, every face in the crowd is important.