The religions never wanted an art where you paint only what you see.

Painting is... a correspondence between what you are and what you see. It's a moment when something is holding together in such a way that it is a universe in itself... Within this is a test and also a judgment upon yourself, your capabilities, your promises, and the part that you play in the world. And nobody else can test that for you. Certainly not the Museum of Modern Art.

Nothing in the world excites the culture today so much as a question. A question seems very appropriate to whatever you have in mind. Allowing your work to remain questionable is a way of satisfying your cultural condition.

No one escapes that moment of innocence when the world attacks him and installs within him the spirit of opposites... As long as everything within you is saying yes and no, dark and light, with big earth-shaking ideas, you come nowhere near art, I think. Light and dark don't exist for us as artists. Light is something given to you and you're allowing it to pass through.

There are people who can't stand the pain. What happens is they begin to develop some kind of technique to keep out of that hole. Once they do that, they're finished. They never go any further. They're done.

It's absolutely irrelevant what galleries and critics and people who buy your paintings think. They just don't have any possible idea of what happens to you and they're really not that interested. As a matter of fact, they hate the idea that anything really happens to you. They want you to be a genius and that's it.

When you don't know how to pick up a brush, you don't know anything; at that moment you're an artist. I'll simply say, 'If you know less, you're better off as an artist.